Category Archives: History & Criticism

The Collected Drama of H. L. Mencken: Plays and Criticism

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Drawn from the collection of Victorien Sardou, with an introduction by C. By opening the show with the old-fashioned "Alma Mater," followed by the explosion of the hard rocking "Alma Mater Parody," the kids of Grease literally rebel against their older selves (at the reunion), the past assaulting the present, reminding the adults in the audience that most of them have become what they once hated most: The Establishment. Generally critics of the 17th and 18th cent. accused Shakespeare of a want of artistic restraint while praising him for a fecund imagination.

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Homchen. Ein Tiermarchen Aus Der Oberen Kreide

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Similar instances of change in syntactic polarity are pittiful = showing pity (5. 2. 103), fall = let fall (3. 4. 104), remember (1. 3. 269) = remind, and learne (4. 1. 120) = teach. Applications for the accreditation of prior experience in lieu of academic entry qualification will also be considered where appropriate. Withers, Sarah. “Intertextuality on the Frontier in Susan Glaspell’s Inheritors.” Intertextuality in American Drama: Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights.

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Neoclassic Theater and Why There is Such a Thing

David Kaplan

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List of plays produced in Dublin 1899-1912. The street is mostly deserted, which is to be expected on a cold Wednesday night in early February. Chambers, William Shakespeare: A Study of Facts and Problems, 2 volumes (Oxford: Clarendon Press, 1930). Stage guide anil orchestration may be rented. Eaton An outline biography of the life and stage career of Jeff De Angelis.. . A legend is provided wherein the student and teacher tally both the average score from the objective boxes and the total number of indicators the class has studied.

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Hugh Martin: The Boy Next Door

Hugh Martin

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Wonians press 50c three acts, interlude; cast: 3 g, 7 b, extras; I hr. The program is also designed to increase the actors' expressiveness through "instrument classes" in voice, speech, dialects, coordination (Alexander Technique), Viewpoints, and Suzuki-based movement. It is this that has turned the brain of nearly all the learned world of today", "On the sublime", (pseudo)Longinus (V), In "Companion Encyclopedia of the History of and Philosophy of the Mathematical Sciences", I.

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Early English Stages 1300 to 1660 Volume Two 1576 to 1660

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Astonished by the deputy's disregard for both God's laws and man's, Isabella refuses. Here the pragmatic interest of the historian's account derives from the antecedent unlikelihood of the event in question: how was this outcome possible? A list of modem American plays of the outstanding American dramatists is indexed as to author and gives dates of production. (See same entry under Playwrights) Bibliographical account of English theatri- cal literature; from earliest times to the present day.

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Auto/Biography and Identity: Women, Theatre and Performance

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The majority of stagecraft lies between these two extremes. Rhys-Herbert. (Fischer ed no 3909) Fischer Vocal score with text $1.50 A pirate operetta in 2 acts for male voices; cast: Landsmen and sailors. The characters who act within the most natural behaviour (Philinte and Eliante) decide to get married. By the counterpoint - a kind of suspense - created between the arrangement of sounds and the construing of sense, a pace builds and a drama develops", Schmidt, "Lives of the Poets", 1998, p.30 "the music of poetry is not something which exists apart from its meaning", T.

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Off-Centre Stages: Fringe Theatre at the Open Space and the

Jinnie Schiele

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Last year, a Dutch court ordered the Amsterdam museum to return a cache of 25,000 documents lent by the Swiss organization. For months, audiences filled the intimate 50-seat storefront in Buena Park. G. 27. 36. 45, 80, 93, 226 Esenwein, J. B. 173 Euripides 218 Evans, B. 144 Evans, H. In this sense The Wasteland is ideological: it shows a man making sense of his experience in ways that prohibit a true understanding of his society, ways that are consequently false. And like them, it reflects Shakespeare's interest in the grand themes of English historiography, as derived not only from the 1587 second edition of Holinshed 's Chronicles but also from other sources as varied as John Foxe 's Acts and Monuments (1563) and John Speed's History of Great Britain (1611).

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Restoration Comedy, 1660-1670: A Catalogue

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Cleveland It deals with the following dramatists: Kleist, Grillparzer, Hebbel, Ludwig, Wildenbruch, Suder- mann, Hauptmann, and several minor playwrights. Eaton 60 Aeschvlus and Sophocles: their work and In- fluence. Carr, D., 1987, “Thought and Action in the Art of Dance,” British Journal of Aesthetics, 27 (4): 345–357. –––, 1997, “Meaning in Dance,” British Journal of Aesthetics, 37 (4): 349–366.

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Labors Lost: Women's Work and the Early Modern English Stage

Natasha Korda

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An invitation to return to the third year of a theatre studies program is for the duration of the respective program provided that all academic requirements are met, and that professional discipline is acceptable. Becoming and Bonding: Contemporary Feminism and Popular Fiction by American Women Writers. 1993. While there is no direct evidence for their use in Roman Comedy, there is some evidence to the contrary. Eliot — as manifestations of a reaction against Romanticism itself: Eliot saw Neo-classicism as emphasising poetic form and conscious craftsmanship, and Romanticism as a poetics of personal emotion and "inspiration," and pointedly preferred the former.

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A Comparison of Six Adaptations of Shakespeare's Coriolanus,

David George

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University of North Caro- lina, Chapel Hill, N. He spent the next two and a half years commanding an island-hopping campaign in the Pacific before famously returning to liberate the Philippines in October 1944. Australian Canadian Studies: A Journal for the Humanities and Social Sciences 10.2 (1992): 153-59. _____. "A Cultural Paradigm for the Second World." Barnes 23p il 7Sc Written for junior high schools; may use any number of characters; full directions for costumes and music.

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