Paradise Lost (Hackett Classics)

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Pages: 510

Publisher: Hackett Publishing Company, Inc.; 3rd edition (September 15, 2005)


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Other films mixing religion and the spiritual world into their plots included: director John Cromwell's melodramatic tear-jerker fantasy, The Enchanted Cottage (1944) with magical spirituality in a story about two lonely and misfit souls; a disfigured and embittered war veteran named Oliver (Robert Young) and a homely and shy spinster named Laura (Dorothy McGuire) who retreat to a secluded, seaside cottage to hide from the cruel world, and there find restorative love, beauty, and youth Angel On My Shoulder (1946) the amusing fantasy of a murdered gangster (Paul Muni) who makes a deal with the devil (Claude Rains), is sent back to Earth, and takes possession of the body of a lenient judge, in order to send more souls to Hades; remade in 1980 director William Dieterle's hauntingly romantic fantasy Portrait of Jennie (1948), about a struggling, penniless artist (Joseph Cotten) inspired by and in love with the vision of a strangely beautiful, elfin girl (Jennifer Jones), suspected of being a spirit Other notable, low-budget supernatural/horror films in the late 1950s through the 1970s included: Bell, Book, and Candle (1958), a romantic fantasy adapted from the Broadway stage comedy of the same name, with pre- Vertigo James Stewart (as a stodgy book publisher) and Kim Novak as his bewitching Greenwich Village neighbor William Castle's ghost-infested B-movie House on Haunted Hill (1958), starring Vincent Price as a wealthy and eccentric man who offers $10,000 to his wife and others to survive one entire night in a ghostly manse; with decapitated heads, vats of lye, crashing chandeliers; inspired the parody Saturday the 14th (1981), and was remade in 1999 13 Ghosts (1960), another haunted house thriller from William Castle, memorable for its "Illusion-O" process (viewers were given the option of using ghost-viewing glasses) director Jack Clayton's effective and definitive The Innocents (1961), the British adaptation of Henry James' The Turn of the Screw, with a repressed minister's daughter (Deborah Kerr) hired as governess to a family with two orphaned children in a country estate, who soon experiences spectral figures the spooky, cult zombie classic Carnival of Souls (1962), about a dazed but unscathed woman (Candace Hilligoss) who survives a car accident, but has visions of a ghoulish man and a 'carnival' of dead people Robert Wise's suspenseful, subtle haunted house film The Haunting (1963), based on Shirley Jackson's classic ghost story about a group of folks brought together, by a parapsychologist and two mediums, to spend a night in a spooky haunted Hill House - a family estate in New England The Legend of Hell House (1973), a tale of the occult involving four researchers (scientists and mediums) who spend one week in a newly-acquired house known to be inhabited by malignant spirits; from scriptwriter Richard Matheson's own novel Hell House John Carpenter's The Fog (1980) told about an evil fog that envelopes a sleepy coastal town, shrouding the area's vengeful, undead pirates; it was remade by director Rupert Wainwright (and Carpenter as co-producer) as the PG-13 rated The Fog (2006) in a similar story about inhabitants of a small California coastal town being terrorized by an evil fog that covered a group of vengeful zombiefied sailors, with Selma Blair taking the original Adrienne Barbeau role Ghost Stories also abounded during the 80s and after: Peter Medak's tense haunted house entry The Changeling (1980), with George C Psalms on the Bridge: Roars in read here

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